Create music with code.
Feel it come alive.

Deep ambient soundscapes built from granular synthesis and field recordings.

Live beat-making session exploring polyrhythmic patterns and sample manipulation.

Mathematical rhythm generation using Bjorklund algorithm and world music patterns.

Beginner-friendly walkthrough from empty editor to a full track.

Layered polyrhythms inspired by West African bell patterns and Steve Reich.

Full 2-hour live set ringing in 2026 with progressive house grooves.

Golden ratio melodies ascending through Fibonacci sequence intervals, layered over hypnotic groove.

Euclidean E(3,8) tresillo at the core. Cuban polyrhythm meets electronic synthesis.

L-system dragon curve shapes the melody. Winding fractal motion over relentless techno kicks.

Arabic Maqam Bayati — its characteristic lowered second brings Eastern tonality into live coding.

Raga Bhairav at 72 BPM. A morning meditation — slow, contemplative, honouring Indian classical music.

Sierpinski triangle as breakbeat. Self-similar drum patterns that evolve without ever repeating.

Chord intervals derived from prime numbers 2, 3, 5, 7, 11... Jazz harmony through a mathematical lens.

West African Gahu bell pattern E(7,12) as rhythmic foundation. Communal energy, electronic language.

PHI = 1.618... guides every melodic interval and structural proportion. Deep house built on natural beauty.

Koch snowflake curve as rhythm and melody template. Minimal techno hiding infinite geometric complexity.

Space-filling Hilbert curve maps every tonal region. 8-chord journey through D minor — no harmonic area left unvisited.

Mandelbrot escape-time iterations control chord complexity. Simple triads dissolve into dense 9th and 11th voicings as depth increases.

Lucas sequence [2,1,3,4,7,11,18,29] drives an 8-chord jazz progression through Eb major. Extended voicings, chromatic voice leading.

Cantor set fractal removes the middle third recursively. The silence IS the pattern — mathematical gaps create devastating drops.

Sacred geometry: 72° intervals of the pentagram mapped to pitch. Five-fold symmetry creates haunting, otherworldly harmony in A minor.

Seven overlapping circles of the Flower of Life become a circle-of-fifths progression. Sacred geometry as pure harmonic movement.

E(5,8) cinquillo layered with E(3,4) rumba and E(7,16) samba. Three Euclidean rhythms interlocked — polyrhythmic fire in C minor.

Maqam Hijaz with its dramatic augmented 2nd interval. 8-chord cinematic progression in E Hijaz — tension, release, and longing.

Evening Raga Yaman (Kalyan) with raised 4th — Lydian luminosity. 8 chords trace the ascending and descending melodic path.

L-system plant branching: [push] and [pop] operators create melodic branches that grow, split, and recombine. Organic electronic.

All 9 Solfeggio frequencies (174→963 Hz) as an ascending chord journey. Ancient Gregorian healing tones meet modern synthesis.

Earth's electromagnetic heartbeat — 7.83 Hz Schumann resonance and its harmonics, octaved into audible range. Grounding, primal.

Hans Cousto's planetary frequencies — orbital periods of Sun, Moon, and planets converted to pitch. The music of the spheres, literally.

Great Pyramid of Giza acoustic resonances — King's Chamber, Queen's Chamber, Sarcophagus, Grand Gallery. 4500 years of stone memory.

Mayan sacred calendar — 20 Tzolkin day signs mapped to frequencies. Imix to Ahau, the 260-day cycle as an 8-chord ritual.

Root to Crown and back — 7 chakra frequencies ascending through the body. Vedic tradition meets electronic sound design.

Theta brainwave state (4-8 Hz) — deep meditation carrier tones. The frequency of dreams, creativity, and subconscious access.

Chladni plate patterns as rhythm — nodal lines become drum hits. Sound made visible, then made audible again. Full circle.

Elder Futhark runes — 24 Norse symbols mapped to frequencies. Fehu to Othala, ancient Germanic wisdom as harmonic progression.

OM fundamental (136.1 Hz — Earth year frequency) + AUM components. A=426.7, U=639, M=852 Hz. The universal sound, synthesized.